A corridor of crystal castles lay stretched before me,
a snaking line spreading into the landscape as a virus
bludgeoning the earth each place it landed,
rooting itself deep with its basements and
uprooting every tree to fuel its belly.
It tries to spread water over the lillies in the meadows,|
but it rages with a fire that chokes holes in the ozone.
It springs up little children in an asexual mitosis,
forcing the mother to undergo strong changes.
Churning and spitting out frothing little human dolls,
not short on blood flow but short on decent jobs.

It’s a phenomenon that I watch in horrid anticipation,
as the snake begins to enclose around itself as a victim.
Trains and cars running headless like queenless ants,
Coating sugar-stains like little sycophants.
As the castles grind they spill their own blood,
awash on the grasses and mixing with mud.
The snakes eyes are short films shot on 8mm;
Passchendaele and Burma, as experienced on computer.

Science has a method of teaching us valuable lessons;
like wedging the earth between Venus and Mars.
Long ago when dreamers gazed at the stars
Even then, they knew were we wedged between Love and War.

So as Venus ascends us, and Mars leaves us waning.
We’ve got each other but I can’t stop complaining.

Scatter remnants of mannequins,
scatter scathing reviews of form.
As a surgeon grafts angel wings
on an obsessor of imperfections.
The fountain’s cry so overflowing,
their lips won’t borrow a drop.
The reapers’ hands will wrap around
but find not a pulse to throttle.

Full of life and denied of voice.
We can sing only our brand unchoiced.
Wailing thoughts thrust ingloriously,
our manhood the object of our requiem.
We’re left to be analyzed so ignored,
and the wind whispers malcontents
when we’re pushed out the door.
And what was all of this for?

Lives so tethered clinging to their pumps,
embraced hearts on their porcelain lovers.
The fossils of a civilization negotiating the moss,
preparing to ignite into plastic and gas.
The wondrous safety net, no one would refute.
Nay-sayers voicing only as they crashed to the ground.
Our lives in porcelain parachutes,
end with such a clamorous sound.

A child in a cardboard box,
reading verse by shattered light.
hydrate.
replenish.
live through the night.
Living outside the box,
warm houses flicker fine.
He can’t speak to them,
his voice is puss and brine.

Child, child, beg for change.
But life will never be okay.

Night can sing for shade
and rest it’s head in comfort
But if day shouts for shadows,
then unrequited emotions are on display.

Omniscience must be lonely.

I am on the twenty-first floor,
looking down on the church across the road.
From this high Mary looks like a lightbulb,
and the lightbulbs look like flies.

When instead of chirping birds,
your window is covered in the wail of sirens…
inspiration filters down the sieve
and becomes just as noisey.

Caustic scum,
raked in clay
exploding skies
expound ‘okay’s.
Caustic sky,
raked in soot
the air is heavy
with your footprint.

Blackened eyes
are yawning proud
and the mouth
is half as loud.

———–What You See Is Always Yours to Stop!

CausticĀ  scum
on a stage
under lights
that blisters rage
Caustic hearts
under the same
try to sing
but they’re too plain.

no one will ever judge you well

no one will ever judge

no one will ever love you, as well

no one will ever love

BLACKENED EYES! YAWNING PROUD!
THE MOUTHS THEY SCREAM NOT AS LOUD!

The church bellow perplexity,
statutes held by metal frames
a messiah on an oil rig
surrounded white-lined metal graves.
Trees are sparsely dressing
what people were forgetting about
many days ago.
The death machines move so slow.

I can see two lovers walking,
and I fear that I am stalking with my eyes,
from the twentieth floor.
The statues are unmoving,
and the lovers aren’t moved
by a mother from two thousand years ago,
shaking her head and saying ‘no’.

Wedding bells and gunshots,
grenades and cheap perfume.
When the sidewalks become trenches,
will they walk hand in hand, in twos?

this poem was written november 24, 2006

Tiny tufts of cold air nipped at her ankles,
the flurry of winter coming all too quickly.
She closed her eyes and thought about each and every thing
that the coming chill meant.
Soon it would be the murky classes,
the festival shot glasses,
and too much alcohol and work.

She tried to cry, but her eyes were already sealed.
Why, this numbness, in a world so surreal?
everything looks prettier covered in snow,
but the tiny cracks let the problems poke through.
Unsent letters and unsaid words
unnecessary lullabies.

A bag of colostomy,
preaching takes on infidelity-
remember, he was a family man
in every way that’s known.
But this world isn’t painted the way it used to be-
now you don’t need to be an art student to see
the theme or the fucking motif.
He was a loving family man,
but his life with the Toronto Skyline.
Jagged.

“I always wanted someone like you in my life”,
she said on her cellphone.
Her baby cries.
The hospital bills rise.

A priest with a sign painted dead babies,
A colostomy stickĀ  preaching infidelity,
The same shit from the bowels of a fucking travesty-
each street corner littered with life words.

Jesus Saves,
Jesus Saves,
Jesus Saves,
At Wal-Mart.

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